Talk on Blake and G.F. Watts as part of Paul Mellon Centre series

This online talk on 16 February by Sarah Weston will explore the links between William Blake and G.F. Watts.

As part of its Spring Research Lunch series, the Paul Mellon Centre in London is presenting a talk by Sarah Weston, "Spirals, Orbs, Stars: Blake, Watts, and the Geometry of Creation":

In many ways, William Blake (1757–1827) and George Frederic Watts (1817–1904) were entirely different artists. Blake died in relative obscurity, a “Pictor Ignotus”; Watts catapulted to meteoric fame during his lifetime. Blake derided Venetian artists for their muddy colours and mushy forms, preferring hard, bounded, wiry outlines; Watts embraced the exact kind of art Blake reviled, melting colours and shapes, diffusing figures and forms into wispy, atmospheric vapours. Yet, for all their differences, Watts and Blake were wonderfully kindred spirits. This paper puts these two visionary artists into conversation, arguing that Blake’s symbolism, mythology and cosmic vision of the universe were deeply embedded in Watts’s artistic psyche. Sketching a shared vocabulary of orbs, circles, spirals, geometer-Gods and whirlwinds of creation, this paper examines these two bookends to the nineteenth century alongside contemporaneous mathematical texts and drawings, focusing particularly on Blake’s roiling creation story, The First Book of Urizen (1794), and Watts’s plans for The House of Life  series (begun in 1848) – two projects that attempted, or dared, to capture the cosmic swirl of the universe.

Sarah Weston is an assistant professor of English and Art History (by courtesy) at Washington University in St. Louis. She specialises in art and literature of the eighteenth and nineteenth centuries, with a particular interest in William Blake, Romanticism and the history of science and mathematics. Weston is currently working on a two-book study of Romantic art, literature and mathematics, investigating the invention of our modern relationship to numbers and data. Her work has been generously supported by: the Paul Mellon Centre for Studies in British Art; Huntington Library; Beinecke Rare Book & Manuscript Library; Yale Center for British Art; Lewis Walpole Library, Yale; and Gale and the American Society for Eighteenth-Century Studies. Weston leads several digital humanities projects, including BlakeTint, which traces Blake’s shifting use of colour across the illuminated books. When she is not researching, teaching or writing, you can find her in the printshop, learning and replicating eighteenth- and nineteenth-century printmaking techniques. Weston holds BA degrees with honours and distinction in art history and English from Stanford University, an M.Phil in Eighteenth-Century and Romantic Literature from the University of Cambridge and a Ph.D. in both history of art and English from Yale University.

Tickets for this event can be booked via the Paul Mellon Centre website.