This book examines whether Blake's 'visions'—visual, auditory, and visual hallucinations—actually derive from several types of synaesthesia. Blake is a celebrated 'visionary,' and yet his ‘visions’ have not been discussed. Worrall draws on neuroscience to examine both Blake’s visual art and writings to question the rumours about Blake's insanity.

Jared S. Richman explores how "non-normative embodiment" and temporality can be connected to disability through a discussion of Blake's 'Milton: A Poem'.