Andrew Cooper's book ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity.
1795 was an incredible year of innovation for William Blake, not least for the series that has become known as the large colour prints. Joseph Viscomi traces the genesis of this remarkable series.
Blake’s influence on American writers and artists has been profound throughout the twentieth and twenty-first centuries as Linda Freedman demonstrates.